If you’re observant, and you take a close look at the dates on these blog articles, you’ll see something disturbing. It’s been nearly an entire year since my last post. So, what’s been going on that has kept me so busy? More importantly, what the heck is the deal with Necromancer Ascending!?
Have you ever reached a point where the thought of opening Scrivener (or your document editor of choice) filled you with not only dread, but disgust? Have you ever stared at your laptop and silently uttered the words, “I just can’t even…”? It may not have had anything to do with lack of inspiration! It’s just that you couldn’t bring yourself to take another slog through your work-in-progress. If you’ve experienced any of these symptoms, I’m going to show you how to beat writer’s block in 30 minutes.
Every once in a while, an aspiring author reaches out to me to ask how I did it. How did I manage to accomplish the seemingly Herculean task of becoming a published author of a series of bestselling novels? While the voices of these authors are different, the sense of incredulity and exasperation are all the same. I can tell, through inference, that they’ve asked this question before of countless other authors. I suspect they’ve also received the very same answer I give them. But, it’s an answer they don’t like. To become an author, you write, write, then write some more. And when you feel as if you can’t write another single blessed word, write two instead. “Yes, yes,” …
The most important thing you’ll do for your story is to get the details right. Spending time on research is every bit as important as writing the prose. Why? Because research is writing. If you’re an independent author who creates your own deadlines, you may want to rethink some things…
“So, Nat, how about a Necromancer Ascending update?” That’s the current most-frequently-asked question, not only on social media and here at Erindor Press, but even from my colleagues at my day job! However, in order to actually give you that Necromancer Ascending update, I have to talk a little about process first. I’ve written several articles about my writing process over the last few years, and I’ve been interviewed a dozen times or so by people who are all interested in the same thing: What does the process of writing a novel look like? My answer? Controlled chaos.
[Updated September 20, 2018] Nothing strikes fear into the heart of a writer quite like these two words: Writer’s Block. Whether you’ve been writing for 20 days or 20 years, you’re likely to find yourself staring blankly at the computer screen eventually. But, what’s the solution? In my writing journey, I’ve come across at least 8 things you can do right now to break through that feeling of emptiness and helplessness.
[Updated April 29, 2020] I was asked to participate in the “Writer’s Process Blog Tour” by a wonderful friend (and #1 bestselling author!) Nicholas Rossis, author of the Pearseus epic fantasy series. When you get a chance, take a moment to visit him at http://www.nicholasrossis.com/. Thanks, also, to JL Morse for including me in the tour! The Writer’s Process Blog Tour requires that I answer 4 questions about my process and works. In today’s post, I’ll take a stab at those 4 questions in the hope of shedding some light on the rusty innards of my mind.
New writers invariably get around to asking me the same question: “What is the right chapter length?” So let’s dig into this in a little bit of detail and figure out the answer! Let me just preface everything I say in this article with “In the case of my style of writing…” That should drive the point home that I’m not trying to establish any “rules” I think people should follow. For me, chaptering is a tool that serves at least four different purposes, and sometimes each at the same time.
I know what you’re doing. You’re sitting there staring at your laptop screen. Your’re probably making this face: And you’re getting nowhere. If this is you, keep reading. There are three things you can do right now to fix your manuscript problems.
The journey from world building to prose is a long and twisted one. We know what a specific plaza in a specific city looks like. We have all of the elements: weather, sound, objects, people, etc. But unless we put them together in some kind of rational order and present them in a logical sequence, all we have are pieces of a jigsaw puzzle scattered on a table. We need to employ structured descriptions to allow the puzzle pieces to fall into place.
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