Choosing the right point of view (PoV) for your story is the most important—and sometimes the most challenging—decision you will make before you begin the writing process. It isn’t a decision to take lightly. Through your story’s point of view, your reader will experience your world, your story, your characters, and your very purpose for writing the story to begin with. It’s a good idea to become familiar with the various point-of-view options before you set about creating your masterpiece.
[Updated September 20, 2018] Nothing strikes fear into the heart of a writer quite like these two words: Writer’s Block. Whether you’ve been writing for 20 days or 20 years, you’re likely to find yourself staring blankly at the computer screen eventually. But, what’s the solution? In my writing journey, I’ve come across at least 8 things you can do right now to break through that feeling of emptiness and helplessness.
There are few things more elusive in the craft of writing than the notion of “Voice”. But what many new writers fail to grasp is that “Voice” is far more than just what a character says. It’s about how they say it and how they feel about the world around them. In other words, it’s at least partially about their attitude. You have an attitude. You may not realize it, but you have one. I’m sure you’ve heard the words “don’t give me that attitude!” on more than one occasion. I’m willing to bet you’ve answered a question with a smile on your face, all the while concealing the seething rage beneath your calm exterior. Am I right? Of course I am! …
I know what you’re doing. You’re sitting there staring at your laptop screen. Your’re probably making this face: And you’re getting nowhere. If this is you, keep reading. There are three things you can do right now to fix your manuscript problems.
Twitter changed their auto-follow policy in 2013. Those of you who’ve read my series on Using Twitter Effectively know that “auto follow” was a major tool in building a writer’s platform. By way of reminder, “auto follow” was an option in many 3rd party tools that allowed you to automatically follow back anyone who followed you. This saved organizations and popular accounts countless hours of having to manually follow everyone. I spent some time trying to wrap my head around the new landscape, and it was tough going at first. My numbers stalled out for quite a while. But I’ve learned some lessons along the way, and I’m now convinced that this was an excellent decision on Twitter’s part. My numbers are …
The title is a mouthful, but the concept is very simple. You may have the right words, but if you’re getting the word sequence wrong, you’ll leave the reader confused.
As a Fantasy author, the subject of World Building is near and dear to my heart. If you’re going to build a convincing fantasy world, you may be thinking about developing a magic system. In Necromancer Awakening (now available on Amazon), I went through a painstaking process to build a unique magic system involving “Life” and “Death”. While I was constructing a magic system based on necromancy, it occurred to me (in hindsight) that there are three things a writer should know before attempting this at home:
The journey from world building to prose is a long and twisted one. We know what a specific plaza in a specific city looks like. We have all of the elements: weather, sound, objects, people, etc. But unless we put them together in some kind of rational order and present them in a logical sequence, all we have are pieces of a jigsaw puzzle scattered on a table. We need to employ structured descriptions to allow the puzzle pieces to fall into place.
One of the best directors of the twentieth century, perhaps all time, had this to say: Alfred Hitchcock was accused of many things in his day, but being “dull” was never one of them. The little dull bits known as “stage directions” that are cluttering your work are driving readers away. Let’s see how to avoid them.
Your word choice may be killing your story in ways you haven’t realized. We’re always told to provide specific, concrete descriptions to guide the reader along in the fictive dream. But sometimes we overdo it. Read on for some examples of what I’m talking about.